Let there be light

Daniel McLeish is the last person to see battery factory CEO Christoffer Bladh alive. Local police officer Maja Lindström is put on the case and Daniel, who is the only known witness soon becomes the case’s lead suspect. But he turns out to be someone else entirely: A world-class detective. They team up and begin their search for the true killer.

Let there be light

Daniel McLeish is the last person to see battery factory CEO Christoffer Bladh alive. Local police officer Maja Lindström is put on the case and Daniel, who is the only known witness soon becomes the case’s lead suspect. But he turns out to be someone else entirely: A world-class detective. They team up and begin their search for the true killer.

CONCEPT

Crime drama set in Norrland’s burgeoning eco-conscious industry

“Let there be light” is a psychological, suspense driven drama about a case connected to Norrland’s burgeoning eco-industry and the two detectives, who, in their attempt to solve it, come face-to-face with personal demons, strained family dynamics, and the iniquity that has become synonymous with the poster child of Sweden’s shift to green energy: Skellefteå. It is a show that thematically delves into the question: At whose expense is the world to be saved?

concept

Crime drama set
in Norrland’s burgeoning eco-conscious industry

“Let there be light” is a psychological, suspense driven drama about a case connected to Norrland’s burgeoning eco-industry and the two detectives, who, in their attempt to solve it, come face-to-face with personal demons, strained family dynamics, and the iniquity that has become synonymous with the poster child of Sweden’s shift to green energy: Skellefteå. It is a show that thematically delves into the question: At whose expense is the world to be saved?

Themes

The story of Daniel McLeash circulates around hope, parenting, integration, and being torn between the call of duty and one’s family at home. When McLeish’s old life in England and his new one in Sweden come to a head, as both daily life and work are different from what he’s used to, he has to reevaluate his whole being and deal with the trauma that haunts him. McLeish must choose between forming a relationship with his daughter and solving the case.

Themes

The story of Daniel McLeash circulates around hope, parenting, integration, and being torn between the call of duty and one’s family at home. When McLeish’s old life in England and his new one in Sweden come to a head, as both daily life and work are different from what he’s used to, he has to reevaluate his whole being and deal with the trauma that haunts him. McLeish must choose between forming a relationship with his daughter and solving the case.

Tone and vision

“Let there be light” focuses strongly on familial trauma and the contrasting perspectives of the foreigner and the native. The main characters differ in how they relate to our main setting, Norrland. For one of them, it is a reminder of old traumas, for the other, a respite from them.

Additionally, we touch on the ambiguity of the scenery and what it evokes: both brooding violence, as well as a potential future. Woven into an intricate murder mystery and the hunt for the killer is what we hope to be an intimate portrayal of today’s Sweden as capital expands to the north in tandem with green energy’s ever increasing share of the market. In the shadow of its growth lies conflicts that have been bubbling under the surface – and new events are set into motion. The tone of the show is eerie, realistic, and evocative and we work with elements such as cold and light, contrasting them with warmth and darkness throughout. Ice, for example, appears and re-appears in different forms – from the frozen lake McLeish is hellbent on being able to swim in to clinking ice cubes in a glass. Yet there is also always light and hope – a lit candle in church, flickering fluorescent tubes in the battery factory, the eyes of a teenager who might finally be able to see the real side of her father.

Tone and vision

“Let there be light” focuses strongly on familial trauma and the contrasting perspectives of the foreigner and the native. The main characters differ in how they relate to our main setting, Norrland. For one of them, it is a reminder of old traumas, for the other, a respite from them.

Additionally, we touch on the ambiguity of the scenery and what it evokes: both brooding violence, as well as a potential future. Woven into an intricate murder mystery and the hunt for the killer is what we hope to be an intimate portrayal of today’s Sweden as capital expands to the north in tandem with green energy’s ever increasing share of the market. In the shadow of its growth lies conflicts that have been bubbling under the surface – and new events are set into motion. The tone of the show is eerie, realistic, and evocative and we work with elements such as cold and light, contrasting them with warmth and darkness throughout. Ice, for example, appears and re-appears in different forms – from the frozen lake McLeish is hellbent on being able to swim in to clinking ice cubes in a glass. Yet there is also always light and hope – a lit candle in church, flickering fluorescent tubes in the battery factory, the eyes of a teenager who might finally be able to see the real side of her father.

Daniel McLeish

Daniel McLeish was something of a black sheep in the English police force. He dedicated his life to investigating violent crimes around England but lost his relationship with his wife and child along the way. Alone and full of regret, he followed his daughter to the ends of the Earth, Skelleteå, in an attempt to win back her trust. Everything will be different now. But nothing turns out how he expects. Getting used to his new environment, making himself understood and understanding others, and adapting culturally, proves to be more difficult than he could ever imagine. And when the CEO of a recently inaugurated battery factory is found murdered, it becomes impossible for him to keep away what he has worked with for so long – his experience with complex investigations makes him the engine of the murder investigation.

Once again, McLeish risks burning bridges with his family. More people are found murdered and he realises that his family and other people’s safety is more important than any personal atonement, and so his work becomes what enables him to show his love for his daughter.

Maja Lindström

Born and raised in Skellefteå, Maja Lindström has worked her way up the local police force. But she has yet to be given responsibilities she thinks she deserves and when we meet her, she is in the midst of choosing whether to invest in her career or to have another child with her husband Henrik and switch professions. When the battery factory CEO is murdered and Daniel McLeish enters her life, her plans with Henrik are turned on their head and she, like Daniel, finds it suddenly difficult to balance her love for her family and the call of duty. But while Daniel’s journey is one of repairing broken relationships, Maja’s is about discovering the cracks in her apparently perfect ones, and about realising her own role in the horrors affecting the city.

Daniel McLeish

Daniel McLeish was something of a black sheep in the English police force. He dedicated his life to investigating violent crimes around England but lost his relationship with his wife and child along the way. Alone and full of regret, he followed his daughter to the ends of the Earth, Skelleteå, in an attempt to win back her trust. Everything will be different now. But nothing turns out how he expects. Getting used to his new environment, making himself understood and understanding others, and adapting culturally, proves to be more difficult than he could ever imagine. And when the CEO of a recently inaugurated battery factory is found murdered, it becomes impossible for him to keep away what he has worked with for so long – his experience with complex investigations makes him the engine of the murder investigation.

Once again, McLeish risks burning bridges with his family. More people are found murdered and he realises that his family and other people’s safety is more important than any personal atonement, and so his work becomes what enables him to show his love for his daughter.

Maja Lindström

Born and raised in Skellefteå, Maja Lindström has worked her way up the local police force. But she has yet to be given responsibilities she thinks she deserves and when we meet her, she is in the midst of choosing whether to invest in her career or to have another child with her husband Henrik and switch professions. When the battery factory CEO is murdered and Daniel McLeish enters her life, her plans with Henrik are turned on their head and she, like Daniel, finds it suddenly difficult to balance her love for her family and the call of duty. But while Daniel’s journey is one of repairing broken relationships, Maja’s is about discovering the cracks in her apparently perfect ones, and about realising her own role in the horrors affecting the city.

Tina Björk

After Tina Björk begins receiving threats because of Daniel’s job, she divorces him and moves to Skellefteå having gotten a job as a city planner in the expanding urban environment. As she attempts to tend to herself and heals, a conflict arrises when Daniel moves to the city as well to be closer to Wilma. Everything is exacerbated as Daniel, now working with the police, begins to look into the company she works for following the CEO’s murder and she soon finds herself having to tell Wilma the truth about her divorce and why they moved in the first place so that she isn’t at risk of going through the same thing as her.

Wilma McLeish

Wilma is a typical teenager who thinks that her parents make her life more messy than secure. She understands neither her own nor her father’s past, and she feel confused in the new city. Her mom Tina is her only source of support and she battles to trust her father again as she builds a tentative relationship with him. Father and daughter make small steps in finding each other once more. Being in the new environment of Sweden unites them (they can make fun of Swedish language and culture together) and it creates a dynamic that has the potential to heal past wounds. But can her dad keep his promise? Or will things just be the same as before?

Christoffer Bladh

Confident, well-respected CEO who has worked in Silicon Valley for many years together with the worlds most famous entrepreneurs. When a new battery factory is built in Skellefteå, he moves back to his home town to spearhead the high-end project. Christoffer Bladh is the name most associated with Sweden’s turn to eco-friendly industry and he has a good business and political network of contacts. Christoffer is charismatic and charming, but when he is murdered, it comes to light that he has secretly been a ruthless businessman who has pushed his co-workers to their breaking points and that he has a shady past involving much more than just Skelleteå and the battery factory.

Henrik Lindström

Henrik Lindström, Maja Lindström’s husband, is the principal at the biggest school in town. He is a family man, a well regarded boss and colleague. He drinks his fair share and works out constantly. He is described as being someone who thinks about others more than he thinks about himself. Careful to keep up appearances as the well-working family they seem to be, Henrik grows increasingly frustrated when Maja begins getting involved with the CEO’s murder. Henrik wants Maja and himself to spend more time as a family, and to him it is important that they have another child together, Maja doesn’t quite share his enthusiasm. Eventually we come to realise that Henrik’s reasons for keep Maja off the case aren’t as clear-cut as it first seems…

Thelma Olsson

Thelma Olsson comes from one of the more affluent areas of Skellefteå. She was once full of life and had a head full of dreams, but after one particular confirmation camp in the 90s, everything changed. She was sexually assaulted by three boys and hasn’t been able to recover since. She has battled with her mental health all her life, and after having initiated an intimate relationship with her carer, her past starts becoming clearer to her. He decides to confront her attackers, which sets off the series of events that shakes Skellefteå to its core – and turns the ongoing investigation of the CEO’s murder on its head.

Daniel McLeish

Daniel McLeish was something of a black sheep in the English police force. He dedicated his life to investigating violent crimes around England but lost his relationship with his wife and child along the way. Alone and full of regret, he followed his daughter to the ends of the Earth, Skelleteå, in an attempt to win back her trust. Everything will be different now. But nothing turns out how he expects. Getting used to his new environment, making himself understood and understanding others, and adapting culturally, proves to be more difficult than he could ever imagine. And when the CEO of a recently inaugurated battery factory is found murdered, it becomes impossible for him to keep away what he has worked with for so long – his experience with complex investigations makes him the engine of the murder investigation.

Once again, McLeish risks burning bridges with his family. More people are found murdered and he realises that his family and other people’s safety is more important than any personal atonement, and so his work becomes what enables him to show his love for his daughter.

Maja Lindström

Born and raised in Skellefteå, Maja Lindström has worked her way up the local police force. But she has yet to be given responsibilities she thinks she deserves and when we meet her, she is in the midst of choosing whether to invest in her career or to have another child with her husband Henrik and switch professions. When the battery factory CEO is murdered and Daniel McLeish enters her life, her plans with Henrik are turned on their head and she, like Daniel, finds it suddenly difficult to balance her love for her family and the call of duty. But while Daniel’s journey is one of repairing broken relationships, Maja’s is about discovering the cracks in her apparently perfect ones, and about realising her own role in the horrors affecting the city.

Tina Björk

After Tina Björk begins receiving threats because of Daniel’s job, she divorces him and moves to Skellefteå having gotten a job as a city planner in the expanding urban environment. As she attempts to tend to herself and heals, a conflict arrises when Daniel moves to the city as well to be closer to Wilma. Everything is exacerbated as Daniel, now working with the police, begins to look into the company she works for following the CEO’s murder and she soon finds herself having to tell Wilma the truth about her divorce and why they moved in the first place so that she isn’t at risk of going through the same thing as her.

Wilma McLeish

Wilma is a typical teenager who thinks that her parents make her life more messy than secure. She understands neither her own nor her father’s past, and she feel confused in the new city. Her mom Tina is her only source of support and she battles to trust her father again as she builds a tentative relationship with him. Father and daughter make small steps in finding each other once more. Being in the new environment of Sweden unites them (they can make fun of Swedish language and culture together) and it creates a dynamic that has the potential to heal past wounds. But can her dad keep his promise? Or will things just be the same as before?

Christoffer Bladh

Confident, well-respected CEO who has worked in Silicon Valley for many years together with the worlds most famous entrepreneurs. When a new battery factory is built in Skellefteå, he moves back to his home town to spearhead the high-end project. Christoffer Bladh is the name most associated with Sweden’s turn to eco-friendly industry and he has a good business and political network of contacts. Christoffer is charismatic and charming, but when he is murdered, it comes to light that he has secretly been a ruthless businessman who has pushed his co-workers to their breaking points and that he has a shady past involving much more than just Skelleteå and the battery factory.

Henrik Lindström

Henrik Lindström, Maja Lindström’s husband, is the principal at the biggest school in town. He is a family man, a well regarded boss and colleague. He drinks his fair share and works out constantly. He is described as being someone who thinks about others more than he thinks about himself. Careful to keep up appearances as the well-working family they seem to be, Henrik grows increasingly frustrated when Maja begins getting involved with the CEO’s murder. Henrik wants Maja and himself to spend more time as a family, and to him it is important that they have another child together, Maja doesn’t quite share his enthusiasm. Eventually we come to realise that Henrik’s reasons for keep Maja off the case aren’t as clear-cut as it first seems…

Thelma Olsson

Thelma Olsson comes from one of the more affluent areas of Skellefteå. She was once full of life and had a head full of dreams, but after one particular confirmation camp in the 90s, everything changed. She was sexually assaulted by three boys and hasn’t been able to recover since. She has battled with her mental health all her life, and after having initiated an intimate relationship with her carer, her past starts becoming clearer to her. He decides to confront her attackers, which sets off the series of events that shakes Skellefteå to its core – and turns the ongoing investigation of the CEO’s murder on its head.

SYNOPSIS

Battery factory CEO found murdered

Daniel McLeish, who has gotten a short-term job at the battery factory is one of the last people to see CEO Christoffer Bladh alive. Police offficer Maja Lindström takes interest in him as a witness and as a potential suspect but soon realises that he is something else entirely: A world-class detective. They team up and begin their search for the true killer.

SYNOPSIS

Battery factory CEO found murdered

Daniel McLeish is a police officer from Manchester who has worked in an international violent crimes unit for many years, but when a case goes south and McLeish’s wife, Tina, ends up in the line of fire, she leaves him and takes their daughter Wilma with her to Sweden.
In an attempt to win his family back, McLeish leaves England and his police career behind and follows Tina and Wilma to Skellefteå, where Tina has recently been employed as a city planner. But preparing his relationships after all that has happened proves difficult and McLeish soon finds himself in limbo. He is a stranger in a strange land; no job and haunted by the memories that put him here.

A silver lining appears in the form of a man he meets in his temporary housing complex, who tells him about the battery factory and says that they are mass hiring people. Soon McLeish begins working as a woodworker, and using that as a base, he is able to begin reestablish his daughter Wilma’s trust in him.

But things take a brutal turn for the worse as the new battery factory’s CEO Christoffer Bladh is found dead on a hill overlooking the city. McLeish and the rest of the builders are called in for interrogation, which is where officer Maja Lindström begins to harbouring real suspicions that McLeish is the murderer she’s looking for given his clear reluctance to go into detail about his past and how he ended up at the battery factory.

Lindström, who up until the events at the battery factory had began doubting her prospects in the force and was considering having a second child and changing careers entirely, is suddenly reinvigorated by the case and the responsibility she is given. The murder and questions surrounding McLeish takes up her every waking minute and when Lindström finally confronts McLeish about his background, he admits who he is so that he can stay in Skellefteå and continue healing the rift with his daughter Wilma. Lindström, who realises that she has happened upon a detective of world renown wants him to join her on task force. Up until now, McLeish has officially been on sick leave in England, and so Maja suggests that he requests an exchange from the head office. McLeish is hesitant, but he soon begins to feel drawn to the work which got him in this situation in the first place – an itch to do what he was made to do. Finally, he allows himself to be persuaded, and Lindström and McLeish team up on the case.

McLeish’s experiences working in and around the battery factory become are made worthwhile and it comes to light that the CEO has had a toxic back-and-forth with the head of construction regarding when exactly the factory was meant to be up and running, as well as being the target of threats from a local group who opposed the factory from the get-go. Maja also comes to find out that Bladh’s maid has been missing since his murder, and when she is discovered to have had a fake identity with connections to Russia, the mystery thickens further. So has Bladh been the victim of a vengeful foreman? Did he perhaps owe money to the Russians? Or is it the local activists who have taken their opposition to the factory one step too far?

McLeish and Lindström are soon completed absorbed by the case and their bond grows stronger – from acquaintances to trusted partners. But at the same time, it becomes difficult for them both to maintain a hold on life beyond the case. Lindström is no longer interested in talking about children with her husband, which leads to conflicts, and McLeish’s ex-wife Tina is worried about Wilma who is more than willing to be around her dad even though he seems to be living the same life he left behind in Manchester. Seeing no other way to protect Wilma, she reveals to her the reasons behind their separation. Following that, Wilma confronts Daniel and he has to decide what is most important, once and for all.

McLeish leaves the investigation, but when Wilma is the victim of sexual assault at a party and McLeish goes too far by assaulting the guy, a pupil at the school where Lindström’s husband is the principal, Lindström is the only one who can save his skin. And she will do so – if he rejoins the investigation which has taken an unexpected turn: The man that McLeish met in his housing complex, who helped McLeish get a job at the battery factory and has come to be a friend, turns out to be the person that Bladh’s maid was reporting to. The woman is a Ukranian refugee who was kidnapped by the Russians to be used to conduct industry espionage. The international conspiracy heats up when yet another body is found, this time a young woman who crossed paths with Bladh at a confirmation camp almost twenty years ago. Soon McLeish and Lindström uncover a dark secret buried beneath the city’s niceties what makes them rethink the entire investigation and the clues that led them to this point. What comes to light is something much more painful than either McLeish or Lindström could ever imagine as one of them realises their role as the instigator of the entire crime, and the other must relive the trauma which is the catalyst of the story.

But most importantly, in confronting the murderer, they are faced with a choice which will forever remain a part of them and unite them once more.

Daniel McLeish is a police officer from Manchester who has worked in an international violent crimes unit for many years, but when a case goes south and McLeish’s wife, Tina, ends up in the line of fire, she leaves him and takes their daughter Wilma with her to Sweden.

In an attempt to win his family back, McLeish leaves England and his police career behind and follows Tina and Wilma to Skellefteå, where Tina has recently been employed as a city planner. But preparing his relationships after all that has happened proves difficult and McLeish soon finds himself in limbo. He is a stranger in a strange land; no job and haunted by the memories that put him here.

A silver lining appears in the form of a man he meets in his temporary housing complex, who tells him about the battery factory and says that they are mass hiring people. Soon McLeish begins working as a woodworker, and using that as a base, he is able to begin reestablish his daughter Wilma’s trust in him.

But things take a brutal turn for the worse as the new battery factory’s CEO Christoffer Bladh is found dead on a hill overlooking the city. McLeish and the rest of the builders are called in for interrogation, which is where officer Maja Lindström begins to harbouring real suspicions that McLeish is the murderer she’s looking for given his clear reluctance to go into detail about his past and how he ended up at the battery factory.

Lindström, who up until the events at the battery factory had began doubting her prospects in the force and was considering having a second child and changing careers entirely, is suddenly reinvigorated by the case and the responsibility she is given. The murder and questions surrounding McLeish takes up her every waking minute and when Lindström finally confronts McLeish about his background, he admits who he is so that he can stay in Skellefteå and continue healing the rift with his daughter Wilma. Lindström, who realises that she has happened upon a detective of world renown wants him to join her on task force. Up until now, McLeish has officially been on sick leave in England, and so Maja suggests that he requests an exchange from the head office. McLeish is hesitant, but he soon begins to feel drawn to the work which got him in this situation in the first place – an itch to do what he was made to do. Finally, he allows himself to be persuaded, and Lindström and McLeish team up on the case.

McLeish’s experiences working in and around the battery factory become are made worthwhile and it comes to light that the CEO has had a toxic back-and-forth with the head of construction regarding when exactly the factory was meant to be up and running, as well as being the target of threats from a local group who opposed the factory from the get-go. Maja also comes to find out that Bladh’s maid has been missing since his murder, and when she is discovered to have had a fake identity with connections to Russia, the mystery thickens further. So has Bladh been the victim of a vengeful foreman? Did he perhaps owe money to the Russians? Or is it the local activists who have taken their opposition to the factory one step too far?

McLeish and Lindström are soon completed absorbed by the case and their bond grows stronger – from acquaintances to trusted partners. But at the same time, it becomes difficult for them both to maintain a hold on life beyond the case. Lindström is no longer interested in talking about children with her husband, which leads to conflicts, and McLeish’s ex-wife Tina is worried about Wilma who is more than willing to be around her dad even though he seems to be living the same life he left behind in Manchester. Seeing no other way to protect Wilma, she reveals to her the reasons behind their separation. Following that, Wilma confronts Daniel and he has to decide what is most important, once and for all.

McLeish leaves the investigation, but when Wilma is the victim of sexual assault at a party and McLeish goes too far by assaulting the guy, a pupil at the school where Lindström’s husband is the principal, Lindström is the only one who can save his skin. And she will do so – if he rejoins the investigation which has taken an unexpected turn: The man that McLeish met in his housing complex, who helped McLeish get a job at the battery factory and has come to be a friend, turns out to be the person that Bladh’s maid was reporting to. The woman is a Ukranian refugee who was kidnapped by the Russians to be used to conduct industry espionage. The international conspiracy heats up when yet another body is found, this time a young woman who crossed paths with Bladh at a confirmation camp almost twenty years ago. Soon McLeish and Lindström uncover a dark secret buried beneath the city’s niceties what makes them rethink the entire investigation and the clues that led them to this point. What comes to light is something much more painful than either McLeish or Lindström could ever imagine as one of them realises their role as the instigator of the entire crime, and the other must relive the trauma which is the catalyst of the story.

But most importantly, in confronting the murderer, they are faced with a choice which will forever remain a part of them and unite them once more.

a

Photographer

Bernice Ellis
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Designer

Jemma Butron
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Designer

Sonia Caldwell

Art Director

Alberto Bowers
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Photographer

Leroy Harrison
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Art manager

Erma Carpenter

setting

Skellefteå seen through McLeish’s Brittish eyes

We get to see the epicentre of green reform, Skelleteå, through McLeish’s eyes. The new city, a city in the midst of change, with hope for the future. Here workers from all ends of the globe come together by way of huge amounts of capital and advancing technology. It is a Swedish success story, and a place that has it all to lose should there be any bad publicity. But conflicts arise; not everyone is quite as happy with the success of the factory, and we come to see how many different reasons there are to be opposed to the factory.

setting

Skellefteå seen through McLeish’s Brittish eyes

We get to see the epicentre of green reform, Skelleteå, through McLeish’s eyes. The new city, a city in the midst of change, with hope for the future. Here workers from all ends of the globe come together by way of huge amounts of capital and advancing technology. It is a Swedish success story, and a place that has it all to lose should there be any bad publicity. But conflicts arise; not everyone is quite as happy with the success of the factory, and we come to see how many different reasons there are to be opposed to the factory.

Additional seasons

“Let there be light” is a multi-season show, and season two will revolve around McLeish and Lindström who take on another case in a different part of the country, where the setting’s unique context and geography will remain central to the story. In season two, Daniel McLeish’s past will play a big part, as the threat that once forced his family to move will be felt once more. And we shall also meet Maja Lindström, who is struggling her way back onto the force after the devastating reveal that tore her family apart and made her reconsider everything at the end of season one. Feelings between the two beyond just friendship begins to blossom as well, which will act as both an obstacle and the solution to the intricate homicide case that they are working on.

About the authors

Martin Bengtsson

Martin Bengtsoon is a screenwriter and playwright. In 2007, he released his first book, an autobiography I skuggan av San Siri (In the shadows of San Siro), which is the basis for Sweden’s contribution for the Oscars 2021, the film Tigrar (Tigers). He studied Literary Composition at Akademin Valand in Gothenburg as well as Dramatic Writing at Teaterhögskolan in Malmö. His screenwriting credits include Agent Hamilton (2020, TV4/CMore) and the storyline for Threesome (2021, Viaplay). He has just finished writing Börje, an upcoming drama series depicting Börje Salming’s life.

Victor Thomsen

Victor Thomsen is a playwright and radio producer. After receiving his education at Biskops Arne and Dramatiska Institute, he worked as a journalist within public service programming and then, switch over to government and politics, as press secretary for former minister of environment Per Bolund.

Contact

Matilda boström/agentfirman
Havet och himlen develops drama for film and tv – from idea to script

Contact

Matilda boström/agentfirman
Havet och himlen develops drama for film and tv – from idea to script